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Looking beyond the dirt for the market imperative of terroir.

Looking beyond the dirt for the market imperative of terroir.

America (Country Appellation)

From the “Damn!..Wish I’d Written That” Department:

''Talk Dirt to Me'' by McGee & Patterson in the Sunday New York Times

by Roger Dial
May 8, 2007



This piece by Harold McGee and Daniel Patterson is a MUST READ for all wine professionals and enthusiasts who care where our wine culture is headed.

First, McGee and Patterson have managed to demystify one component (soil) of what I call “the terroir complex”, without throwing the whole baby ("somewhereness") out with the dirt. Secondly, (hopefully) their article in this Sunday’s New York Times will edge the terroir conversation along the road that it needs to go, lest it forever continues to be merely a narrow polemic between traditionalists and modernists on the question of technological intervention.

McGee and Patterson quite rightly point out that, for marketing reasons, the traditional identity of wine was built around the terroir complex (including the localized human element) that, taken as a whole, is "somewhereness" (to use Matt Kramer’s lovely term).

Marketing!!...perish the thought! Yep, those old Euro-guys put their money on the marketing notion that what the consumers wanted was distinctive, place-identified diversity in wine. They decided that it would be to their ($$$) advantage if Chablis did NOT taste like Montrachet or Meursault or Macon. (For the record, after Pasteur, they could have made those wines taste pretty much the same, and today such a cross-appellation homogenization of flavor profiles could happen instantly…and, in many cases, is happening!).

For the low-end consumer of that bygone era (and now), place identity simply became a reliable distinctive brand, mixed perhaps with a sense of parochial pride if the vineyards in question could be seen from the kitchen window. More importantly, for the higher-end consumer, diversity (of place taste) expanded interest and enhanced the value of wines that clearly expressed "somewhereness".
Wine’s Taste of Place
For a domestic wine industry of some 5K producers to be sustainable, diversity expressed in terms of carefully nurtured and distinctive appellation identities is crucial.


So, does an age-old marketing decision to accentuate place identity and diversity have any utility today? My hunch is that the narrow taste profile recipe book currently in vogue, which produces so-called "international style" wine in both the new and old appellations around the globe, may work for the 2-Buck-Chuck consumer niche. And that’s good.

However, I’m even more convinced that this one-dimensional, laboratory-driven wine will diminish rather than expand interest and deflate rather than enhance value for the wine enthusiasts who have defined the wine culture to date. And that’s bad!

At APPELLATION AMERICA, we believe that "somewhereness" diversity, expressed in terms of carefully nurtured and distinctive appellation identities, is the way to go. Not because we’re old fashioned, delusionary terroir romanticists. But, because we are market futurists who think there has to be a reason for the existence of 250+ separate winegrowing regions and upwards of 5,000 wineries in our part of the world.

I congratulate Harold McGee and Daniel Patterson for their stimulating article…wish I’d written it!
For more on this subject that Roger Dial did write:

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Reader Feedback

Reader Comments... [6]

[1]
Dave Lattin , Winemaker
Kuleto Estate Winery, Napa Valley, CA
Roger, I read McGee and Patterson's article with great relief. The word 'terroir' is so often used and abused by professionals and consumers alike. While there has been an endless number of books and articles (and PR material) written about the specialness of a particular soil type in a given region, I've seen no scientific evidence of any translocation of flavor material from the 'dirt' into the fruit and subsequently into the wine. And yet, people continue to talk about it as though this happens. That doesn't mean that wines produced in a given area don't often resemble one another. In Europe, this is more often due to a consensus of style (growing methods, assumptions of fruit maturity, methods of production, etc.) that develop over time and probably did so out of respect for the local cuisine. I'd like to hope that with the development of very distinctive local cuisines around the US, the wines produced in those same regions become more distinctive as well.

Another topic I'd like to explore is what I jokingly call "aeroir". Who hasn't noticed the strong eucalyptus aromas in wines grown downwind of these groves. A fire occurring nearby grapes late in the season produces noticeably smoky wines. Does the 'dieseling' that occurs in some Rieslings as they age have to do with coal smoke and diesel exhaust aromas that persist once the esters and terpenes fade? Here at Kuleto, the canyon smells of dried sage, chemise, and California bay laurel all season long, and the wines reflect those same elements. It makes sense when you consider that the outside of a grape is covered with an oil-based, waxy cuticle and many aromatic compounds are also oil-based. Perhaps a partial answer to the 'terroir' question is what's blowin' in the wind. Hmmm, could there be a song in that?


[2]
Christian Pillsbury
winberis.com, Paris, France
I suggest that we consider the present fervor for terroir a natural backlash to the "anywhereness" movement in wine. The people I know most wedded to the terroir concept are my compatriots in the Burgundy business. To us, the land, and wine exist vineyard by vineyard, village by village, domaine by domaine. The day that these distinctions become merely geographical is the day that for me, great wine loses its soul.


[3]
Petra , Proprietress
Martin Estate, Rutherford, CA
Hello Roger,
Oh-My-God department: "one-dimensional, laboratory-driven wine will diminish... and deflate rather than enhance value..."

I wish I had written that!! May I use it??

Hope you will stop by this Monday for a taste of the 2003 MARTIN ESTATE Cabernet Sauvignon at the Cabernet Society Tasting -- May 14. Yes, Viginia, there are still some Rutherford Cabernets...but you have to search for them.

Cheers, Petra


[4]
Greg La Follette , Winemaker/proprietor
Tandem Winery, Sebastopol, Green Valley (Russian River), CA
Great, insightful commentary all around! Regions, in general, do present us with different wines, but modern winemaking and viticultural techniques are narrowing those differences, especially when a winemaker shoots for a particular iconic varietal model. Layered onto this discussion is the factor of macroclimates vs. mesoclimate vs. microclimates, more misused and misunderstood terms. For example, manipulation of microclimate (the environment within a particular vine canopy) can profoundly affect the way pyrazines (vegetal aroma compounds) are expressed in a wine. The coolness of a site (mesoclimate) and its region (macroclimate) drive the potential, but the final expression is up to the vintner and how she/he first manipulates the canopy and then makes the wine. But one has to start with potential, and the region is in the driver's seat on this one...Keep up the great work on stimulating discussion on ALL areas vinous!


[5]
Deane Foote , Owner/winemaker
Foote Print Winery, Temecula, CA
They, McGee and Patterson, have hit the nail on the head. I believe the "Dirt" does have a great deal to do with the health of the vine, which produces the grape. Mark Matthews and Hildegarde Heymann, from U. C. Davis, I believe explain very well the reasons why. From there on I believe it is up to the winemaker.


[6]
Christopher Howell , GM/Winemaker
Cain Vineyard & Winery, Spring Mountain District, Napa, CA
Hopefully, we can all agree on this: If one tastes closely, one will see that, at the first approach, the Human impact appears to overwhelm the effects of Nature (the imprint of the winegrower is always more recognizable than that of the vineyard -- at least within the context of a relatively small region); nonetheless, the truth for every conscientious winegrower is that at the final analysis, in every cellar, one can consistently discern the effects of both vintage and vineyard. Terroir, is intrinsically a cultural construct, that lies at the intersection of humanity and nature -- we experience Terroir in the vineyard, the wine cellar, and at the table. Lose the Winegrower and there is nothing. Lose the Nature and there is nothing. Lose the Wine Lover -- and there is nothing. That is the enduring fascination of wine.

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